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CDs
About this album and its pieces:
The two pieces Noâzar and Khojasté are the fruit of my attempts to understand the function of long formal Iqâ’ât which, from the time I found them in old volumes to the day I heard and played some of them in Iran’s neighboring cultures, have always mysteriously attracted me. Khojasté was composed three years after Noâzar, in Autumn 2014; and this time gap was the time I needed to find the courage to expand the boundaries of my music in different aspects.
In both pieces, the ideas of form and rhythm are derived from Shashmaqam of Bukhara as well as Ajamlar repertoire. Their mode, however, is influenced by Persian, Arab and Turkish music.
In the two other pieces, Âsâré and Bahâré, the music is relatively more dastgâhi. They are dedicated to two dear musicians who have cooperated with Sepehr Ensemble for nearly a decade: Âsâré Shekârchi and Bahâré Fayyâzi.
This CD includes the live recording of the pieces (Jan. 16, 2015) at Niyavaran Cultural Center (Tehran).
Farid Kheradmand, Autumn 2018
Khojasté, Composer Farid Kheradmand
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Books
Tombak Method of Jamshid Shemirani By Farid Kheradmand
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An Intractive Tombak Course 1, Hossein Tehrani, Review By Farid Kheradmand
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An Intractive Tombak Course 2, Hossein Tehrani, Review By Farid Kheradmand
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An Intractive Tombak Course 3, Hossein Tehrani, Review By Farid Kheradmand
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"Maqased-ol-alhan" by Abdolghader Maraghi, manuscripted by writer, 1419 A.C., eddited by Farid Kheradmand
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Articles
An Overview of the Characteristics of Rhythm in Iranian Music
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Iqâ' from Fârâbi to Present: An Overview
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